“KONTA” - Part One of the audiovisual project, “PLASTELINE”.

An androgynous subterranean being born of darkness and decay, is suddenly consumed by an inexplicable urge to explore the world above the one below. Follow this being as it embarks on a discovery of a new illuminated reality breaking away from the murkiness of its own creation. Its performance utilises the Greek language as its chosen form of phonetic expression, coalescing into one with live electronics and atmospheric synthesizers. The extra-dimensional music follows Plastelíne’s journey with vivacious sound design, incorporating sub-distorted elements, melodic lines, and polyphony, crafting an immersive sonic experience that captures the essence of its transformative quest. Plastelíne’s narrative transmutes into a mirror to reflect our own journey toward self-discovery and acceptance.

“APENANTI” - Part Two of the audiovisual project, “PLASTELINE”.

The being has escaped its lair and is free to roam God’s green earth. Lost and bewildered she begins to shed her old skin in efforts to adapt to her new environ. For the first time in her wretched existence of solitude she discovers other beings in exile who come to her aid, a brief moment of altruism that renders the being perplexed and flabbergasted. Her journey to the wild is sidetracked by the appearance of two cryptic children who invite her to their forest sanctuary, a Hansel and Gretel in reverse unfolds when the being realizes there is no such thing as a free meal.